There’s simply no denying, the microKORG Synthesizer/Vocoder is a cute piece of kit. And, as it’s just about perfect for the performer, producer, computer musician or beginner looking for an affordable synthesizer, it’s on the synthwave wish list ;)

Here’s a brief run down of the technical specifications and geek stuff.

Powerful Synthesis

The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg’s critically acclaimed MS2000 and offers a wider selection of waveforms than any other modeled synth. Oscillator 1 features a total of 71 waveforms . These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg’s classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.

Four filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. Two classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a Virtual Patch matrix that lets you create advanced modulation settings – routing the Mod Wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. – and you have performance that is unheard of from a synthesizer in this price range!

Classic Vocoding

The microKORG includes an 8-band vocoder with many advanced features. You can capture and “freeze” the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky! Best of all, the microKORG comes with its own microphone so you can start having fun right away.

A Full Range of Effects

Three types of modulation effects (chorus/flanger, phaser, ensemble), three types of delay effects (stereo, cross, L/R), and a two-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clock – a great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.

Great Sound and Expression

Korg has used all of the microKorg’s synthesis power in the creation of 128 great-sounding presets. They cover a wide range of the latest musical styles plus many vintage favorites. Sixteen vocoder Programs are also included. The Pitch Bend wheel, Modulation wheel and five other knobs provide flexible realtime control over filter cutoff, attack, release and other important parameters. The Edit Mode allows you to fully edit the existing sounds, or to create your own new ones.

Flexible Arpeggiator

Six types of arpeggio patterns (UP, DOWN, ALT1/2, Random, Trigger) are built in, with control over tempo, gate time, swing, and up to a 4-octave range. You can turn individual steps on or off within a pattern, providing the feel and functionality of a step sequencer.

Audio In

Two external audio input jacks are provided, so you can run other instruments, CDs and more through the microKORG’s filter and effects, allowing you to process sounds in truly creative ways.

A Compact MIDI Controller

The microKORG’s compact size is perfect for the musician or DJ looking to add a synth to his or her setup when space is tight. It’s also a great choice for use in a computer-based music setup. The five realtime knobs on the front panel can transmit MIDI messages (control changes), so they can be used as controllers for software synthesizers. Use the 37-note velocity-sensitive mini-keyboard for controlling other gear or for recording and editing with your sequencer. And thanks to battery-power, the microKORG is the ultimate portable controller when used with a laptop computer!

Clear Control and Classic Looks

There’s no complex menu structure – all parameters are located on the panel for easy access to any function. A large dial and LED illuminated buttons provide easy program selection even on a dark stage. With its beige-gold body, wooden side panels and retro-influenced design, the microKORG has a look that’s both vintage and funky.

One thing that can be tricky to figure out on a new blog is, well, what to actually blog about! Given there are 1,000s of pieces of Hardware, and Software popping up all over the place. Well, whilst I try to figure that out, here’s one thing I can talk about – my odd little Korg Micro Preset!

At first touch, The Korg Micro Preset synthesizer offers the world a bizarre matrix of pre-set sounds, ranging from 1970’s Dr Who effects, through to rather curious synthesizer noises and acoustic sounds. At its heart, it’s a 32-note monophonic preset synthesizer with 6 push-button presets including voice, synth1, synth2, brass, string, and wood.

On the technical front, it’s single-oscillator design has only rudimentary decay/release envelope controls and no access to the guts of the sound generation stuff. And, no MIDI or other method of external control – of course. Although, the manual does claim the Micro Preset can be used as a guitar-synth!

Korg M500 Micro-Preset Image
If you persist, a bit of probing will reveal a noise box that sounds remarkably similar far more expensive analogue synths of that era. There is a lot of fun to be had with the ‘traveller’ control, a sort of filter and resonance control rolled into one, offering interesting squelchy acid-style bass run effects. I bought mine 2nd hand for 25-quid and, in a recent example of analogue frenzy, one recently was sold on eBay for over 150 quid!

    
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