A new standard in direct guitar recording, POD is the ultimate guitar direct recording/performance tool with acclaimed Line 6 modeling and built-in stereo effects.
Price: $199.99 Buy now!
User Reviews:
Feature:
Yes it has a lot so even with a bad guitar or with an unsuitable guitar you will find out the sound that matches your personal expectations
Quality:
Nice
Value:
Good value for the amp. It sounds much better than a more expensive guitar effect tool.
Desirability:
Yes I do
Sound:
The sound is ok but it depends of the guitar. I used to have a low sustain guitar and it was really good. Now with the Epiphone it’s a true hell. The sound is very narrow and thin in the high distortion.
Ease of Use:
I think it’s ok
Support:
Never needed it
Overall:
A must have for a studio. I found out abt this product once I saw it using it in an expensive studio.
That distinctive diamond grille tone is yours for the tweaking. From the jangle of mop-top pop to the top-boosted growl of mod rock, this amp style has a voice that shook generations. Tuned to deliver the growl of English Alnico Bulldog-style speakers, this pedal also gets thick with rich, even harmonics as the Character control is pushed harder. Push it to the limit and it will, it will, rock you.
Price: $149.00 Buy now!
User Reviews:
Feature:
full equivalizer, very sensitive and a lot of flexibility
Quality:
Made in USA the box is light (which is a plus for me), and works perfectly very reliable on the outside, and inside I hope too.
Value:
Get it if you want vox (without having a real amp) in your home or other recordings
Desirability:
Would buy it again no doubt
Sound:
This is the BEST VOX-type pedal I have found so far for direct recording! I just plugged it direct into my portable zoom studio recorder – and got the sound I wanted! No-brainer! Period! Smooth, ringing, no harshness, can be dangly or brianmayish if neccesary, from pure clean to full overdrive-distortion. I am very much impressed! Better than GT2 or Triace… Not for metal though I guess Give it 9 in terms of sound, by the way it is an analog stomp
Ease of Use:
Easy
Overall:
I am impressed. So glad that I got it. This thing is for direct recording, mind you.
Not just for Pros — the V-AMP Pro is the 19 in. rack-mount version of the V-AMP 2 with extensive MIDI and digital connectivity. You get an impressive collection of 32 classic amps, 15 legendary speaker cabinets and 16 studio-quality effects: everything from vintage combos to supercharged gain monsters. Store your own presets in the 125 memory locations or get presets developed by today’s hottest players.
Price: $169.95 Buy now!
User Reviews:
Feature:
125 presets to start you off and with the amount of options, the possibilities are endless.
Quality:
Built like a tank. I’d gig with this no problem and with no need for a backup.
Value:
Best bang for your buck at $200.
Desirability:
For someone looking to get a modeling amplifier with tons of effects and options, they should look no further. High quality modeling comparable to preamps three times the cost.
Sound:
Very nice sound quality. Doesn’t sound fake like Line6 modeling amps.
Support:
I emailed Behringer’s customer support with questions before buying the V-Amp Pro and they replied right away and helped me with everything I needed.
Overall:
I plan on keeping this baby for a long time. It is everything and more than I wanted and for the price, you just can’t beat it.
Does a two-faced blonde sound like trouble? We hope so, when those faces are silver and black and this Blonde rocks pure American tone to the stratosphere. Sparkly, spanky cleans that overdrive with a satisfying low-end rumble become the punchy bark of hard-pushed tweed, maxing out in a fat sizzle of lead boosted tone. Take the reins and don
Fender amps of the ’50s and ’60s are beloved and coveted by guitarists around the world. Thanks to BOSS’ technology and tone know-how, the new FBM-1 brings the natural, fat, rich, bright tone of the Fender Bassman to a BOSS pedal. In conjunction with Fender, the new BOSS FBM-1 recreates the legendary tone of the 1959 Fender Bassman. Features include the same controls on the original Bassman: Presence, Treble, Mid, and Bass EQ controls. The FBM-1 also functions perfectly as a “pre-gain pedal” placed before an already overdriven amp to add the tone character of the Bassman.
Price: $119.00 Buy now!
User Reviews:
Feature:
You can control gain, boost, Highs,mids, lows with this
Quality:
Its a nice boss pedal. All metal with a cool finish to it
Value:
A little high priced but its worth it
Desirability:
Isnt it the sexiest little pedal?
Ease of Use:
You gotta learn to get a great sound
Support:
Havent had to deal with them
Overall:
This is a great pedal overall. Use it to character your amp, not drive it. The overdrive to me sounds a bit muddy. I own a a 59′ Bassman Reissue and a Epiphone Valve Jr. For some small club gigs, I use the bassman. When i do bigger shows, i actually use the Valve JR. the FBM-1 is great because it allows me to character my Valve Jr. to sound very similar to my bassman. Then i use a boss Blues Driver to actually drive in my leads. here is my pedal set up FBM-1–>BD2–>Danelectro Reel Echo–>PT-13 tuner The FBM-1 will definitely get you close to the sound of a real Bassman, you just need to learn to EQ it and you will be fine.
The Brian May Red Special Pedal lets you bring your own personal creations to life using one of rock’s most distinctive guitar tones. Working closely with Brian May and Eddie Kramer, Senior Production Modeling Consultant (and world-class recording engineer), DigiTech’s Production Modeling team delivers the tone that has inspired a generation of guitarists.
Price: $199.95 Buy now!
POD X3 Pro is the powerful Dual Tone processor that comes fully loaded with amp and effect models for recording guitar, bass and vocals. In addition, a comprehensive array of inputs and outputs provide seamless integration into professional recording and performance rigs.
Price: $699.99 Buy now!
The second in the new Legend Series is the FDR-1, based on the Fender 1965-era Deluxe Reverb
The newest addition to the legendary POD line, Floor POD Plus unites the timeless sounds from POD 2.0 with a greatly expanded set of premium effects. This slick, road-ready package gives you 32 amp models, 16 classic cabs, 16 modulation effects (including chorus, flanger, and tremolo), 6 delay models, and 2 different types of reverb – all with ultimate tweakability. Now, with Floor POD Plus it
PODxt sets the new standard for guitar tone. PODxt features 32 groundbreaking amp models built from the award-winning technology found in Line 6′s flagship Vetta amplifier, and includes modeled stompbox effects, full-time compression, A.I.R. II cabinet/microphone modeling, and direct USB digital in/out for direct digital computer recording.
Price: $299.99 Buy now!
User Reviews:
Feature:
Too many features, but mostly all have this digitized piezo tone. There are pieces of the sound picture that are missing.
Quality:
It’s well made, but my idea of quality is SOUND QUALITY. It is not as good of a tone as a nice basic amp with a few pedals.
Value:
If it was $199, it would be worth it. But what is the value in something I stopped using after a few months.
Sound:
The clean sounds are OK. For the most part, you get a tone that sounds like a Piezo pickup being processed with effects like distortion. It is a nasty harsh sound that is brittle. It can fool children, but not musicians. I think this thing is made for the Line 6 Variax guitars, which have piezo pickups. Not so good for magnetic pickups. It’s alot of fun, but I mic’ed up my cheap 15 watt crate amp with a shure sm57, and recorded both, and the crate 15 watt sounded better for clean and distortion.
Ease of Use:
Without the software, it is very difficult to navigate. The Line 6 software is great, though, and makes it easy to create tones.
Support:
Actually great. There are software updates that come out and are easy to upload.
Overall:
I agree with another reviewer. It’s for kids in bedrooms that want to play late at night without waking up mom and dad.